视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。一个长时间被非正常现象困扰，以为闹鬼的家伙在搬到新家后经常通过照相机拍摄他和他的女朋友之间的换了，以及一些恐怖事情.......。2033年，人类阻挡小行星撞击地球的计划失败了，人类灭亡了，而被遗忘在月球上的中等动物研究员独孤月幸运的活了下来，成为全宇宙最后一个人类。 他开始锻炼身体、探索基地，不知不觉竟然将自己在月球上的孤独生活过出了乐趣。然而他不知道的是，基地摄像机将他的视频画面传回了地球，全球的幸存人类在地球上直播观看他的月球生活，并将他视为榜样。直到有一天，他发现自己没动过的蛋糕上有一个牙印.....难道月球上还有什么别的存在？。
